![]() These styles included melding love-action photography with animation, 3 dimensional sequences and kaleidoscopic "rotoscoping" where film is traced frame by frame into drawings. ![]() 1 However, Yellow Submarine quickly developed a strong. " The style should vary every five minutes or so to keep the interest going until the end". The animated feature film Yellow Submarine (George Dunning, 1968) was an unusual film for its time. " I thought from the very beginning that the film should be a series of interconnected shorts" remembers Yellow Submarine's art director, Heinz Edelmann. Yellow Submarine sits aloingside the dazzling Pop Art styles of Andy Warhol, Martin Sharp, Alan Aldridge and Peter Blake. Directed by George Dunning, and written by Lee Minoff, Al Brodax, Jack Medelsohn and Erich Segal, Yellow Submarine began its voyage to the screen when Brodax, who had previously produced nearly 40 episodes of ABC's animated Beatles TV series, approached Beatles' manager Brian Epstein, with a unique vision for a full-length animated feature. With songs made famous by the Beatles, five friendly bugs learn big lessons about the world around them - all from the safety of their own backyard. " The music, let's face it, was the inspiration for the whole film," said Yellow Submarine line producer John Coates. And by integrating the freestyle approach of the era with innovative animation techniques, it revolutionised a genre. By merging the visual splendour of animation with a fantasy - adventure tale filled with peace, love, hope and of course, music, Yellow Submarine captured the essence of the Sixties. When The Beatles' spectacular feature, Yellow Submarine, debuted in 1968, it was instantly recognisable as a landmark film.
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